HERE WE GO!

I am so excited that I will be taking you along on my next stitching odyssey which just might become the "pièce de résistance" of the year. When I first saw professional designer Caela Conn Tyler working on the Red Kerchief model, I knew right away I had to take her class. I mention Caela often on my blog and one might say I am a Caela groupie; there are a lot of us out there. Anyway, her concept of Claude Monet's Portrait of Camille Monet, The Red Kerchief, is most amazing in that she has achieved her interpretation by using foreground and background canvases. It's my first framed 3-dimensional needlepoint. There are several threads and techniques used, some familiar...others not so much, making this a unique and exciting project. Currently, Caela is offering The Red Kerchief at The 39th Annual Callaway School of Needle Arts  and the EGA Great Lakes Region Seminar.

Naturally Caela's work and mine vary dramatically, what you'll get here is my attempt to do this fabulous design justice. To begin, I've chosen the background canvas for purposes of this blog, but I actually completed the foreground canvas as assigned during the pilot class. This took place earlier in 2009 and I have been waiting for just the right opportunity to present it here.

Using Evertites, the line-drawn and shaded canvas is ready to go. I was totally unfamiliar with the technique used on the first step which was to apply Angelina. What the.... hmmm, Angelina. If you are as unfamiliar with Angelina fabric as I was, go here for a great tutorial.

Basically Angelina comes in a small sized bag for around $5-6 and sort of looks like spun glass or angel hair. Apparently it's readily found in quilt shops. The left photo depicts Angelina fibers after they've first been spread apart and then pressed with an iron. On the right photo, it's basted in place serving as background for the snow stitches. Clever! Notice the iridescence? Depending upon how much you spread out the original fibers, it will determine how opaque the pressed pieces appear.

Using regular sewing thread for basting (which will be removed once all the permanent stitches are in place) and a sharp needle to go through the Angelina, I'm ready to move on to stitching the snow.  The snow is stitched in Long Tall Sallies combining white floss and Accentuate (with a little light grey thrown in for good measure). Remember that this side of the snow will be covered by the curtain hanging on the foreground canvas and is stitched rather randomly suggesting the effect of glimmering, drifting snow. I'm hoping I've done this well otherwise we'll be viewing this with the curtains drawn! LOL! Prep time (iron fabric, cut and baste onto canvas) about an hour.  Stitching hours: 2-right side only