To Guide or not To Guide

Speaking of stitch guides I just wanted to write about them today adding in my two-cents to other cyberspace conversations. I have long since known my talents lie elsewhere when it came to deciding the right stitch for the right place. For instance, take the kimono on the left. I began this canvas without a stitch guide about 10 years ago. Back then my idea was to use as many different stitches and as many different threads as possible in one little canvas. The kimono demonstrates this concept better than anything else I've ever stitched. I disliked how this was turning out and must have stitched it 5 times over because I made so many faulty stitch decisions; so many that I put it down and didn't stitch anything for several years. A few years ago I finally finished it and made the kimono into a kimono and I vowed never to stop stitching again for any reason under my control but I was still gun shy when it came to making stitch decisions. For one thing the whole process is very time consuming, taking up precious stitching time,  I concluded  I was better off leaving it to the experts.

Then I found the canvas on the right which is testimony that perseverance in learning, observation and practice can break through even the hardest head. I fell in love with Patt and Lee Designs' canvas even though it didn't have a stitch guide at the time. I had to create my own if I wanted to stitch it. So I began flipping through all my stitch books and decided to let Father B's Book of Stitches guide my way. Years ago (like maybe 20) I stitched his Tale of the Chinese Plate and remembered there were 12 stitches recommended for Asian themes. I picked every stitch on the Geisha canvas and every thread too as I recall. I am so proud of this fact because I didn't think I would ever attempt doing it again, and it turned out I actually could choose stitches to my own satisfaction. Now I wonder if I should? I'm a stitcher. Even so, recently I was encouraged to expand beyond my reach. Who me?

Creating a stitch guide is an art form and while I feel more confident in my ability, the professionals (you know who you are Judy, Ann, Robin, Sharon, Amy et al) that have devoted much of their careers to designing painted canvas and charts have gained my attention and earned my respect. I'd have it no other way.  How about you out there, do you decide on your own stitches to your own satisfaction? And to the exclusion of using professional stitch guides? Sharon G has wisely pointed out that they are only "guides,' suggesting they can be used together with our own judgment. Not bad advice Sharon. As for me, I really like having a stitch guide, but I'll keep dabbling with stitches taking in what I can glean from you all and asking for advice along the way.

Wishing you all well this hot steamy weekend. Take good care 'til next time.

How Cute Are These Girls?

Look how darling Patt's, of Patt and Lee Designs, Geisha kitties turned out. Now you see how wonderful the design is when both kitties are stitched with white fur. The whimsy just jumps out at you. We were both stitching these simultaneously and I think I must have borrowed her technique for the hair ornaments as I see how similar they are. Thank you Patt for letting me publish your finished piece; I love everything you did with them too. And for those of you that haven't ventured onto their website, you are missing out on some very charming, beautifully executed painted canvas designs with a special flare for Asian and, naturally, Cat inspired pieces. Oh, and by the way, did I mention that the Geisha Kitties are her creation? Thanks Patt!

Back From the Framer

Gossipy Geisha Kitties designed by Patt and Lee Designs
This was a very fun canvas to stitch. The original design depicted both kitties with white fur; I contemplated changing the fur color and ultimately decided to go with tabby colors. After living with the change for a month or so I stayed with the change.
The canvas was painted on interlock canvas, a departure from the mono canvas I was used to, and the differences though slight are not visible in the finished piece. After all was said and done, I would use interlock canvas again to keep costs down, but prefer to stitch with the more flexible mono canvas if given the choice.

A triple mat and black frame were selected but a less visible fourth "under mat" was used as a background, adding color to the areas of the canvas that were not filled with stitches. This subtle use of color changes the overall look of the stitched design, i.e. yellow was used in this case, if white would have been used the look would have been noticeably brighter.

"All in good time, my pretty

all in good time." Cackled the wicked witch of the West. I've been wanting to get back to the gossipy kitties but haven't had the chance. Too much computer? Maybe, but I am also working on a major project designed and taught by Marnie Ritter.


This was one of my "hopefuls" as listed in my '09 stitching queue. I lucked out and happen to be stitching her Renaissance beauty. Learning a number of different stitches, including beading and the use of specialty threads, make this a fabulously fun project, as is the teacher (vying for teachers pet?...you betcha!). Under her expert tutelage along with her written instructions it's moving along very quickly. A somewhat involved piece, in other words not something I can mindlessly stitch away on while riding in a car, etc., I am always anxious to get back to whenever I have to put it down...like to go to bed or some other stitching interrupting event. Take a look here and see for yourself this awe-inspiring canvas created by an exceptional teacher. http://www.callawaygardens.com/callaway/info/things.needlearts.coursedescriptions.aspx


Another dream come true, I've lucked out and will be stitching a second project listed on my "hopefuls" queue. This time it's Caela Tyler's interpretation of a Monet painting, "Red Kerchief." OMG, this is an extraordinary piece using new (to me) techniques and a variety of stitches. I would describe it as two-dimensional and really quite unique. I am so looking forward to the opportunity to stitch this creative project by a truly remarkable and gifted teacher. Caela will be teaching this at the upcoming ANG National Seminar this Fall, you can see it here http://www.needlepoint.org/Seminar-09/classes/2day/22930.php --quick get a tissue, you'll be drooling! Better yet, sign up for the class!


Talk about getting carried away. I really got ahead of myself, by several months in fact. You must admit for a canvas worker these are very exciting projects.


Back to my beloved furry geisha. Next up I will finish the background areas and the details on their faces. I am currently working on the hair ornaments too and finally their furry heads. What you won't see...I got their ears waaaaaaaaaaay too pink. Lookin' more like bunny ears. Frog frog :) Don't forget, the kitties are the creation of Patt and Lee Designs. These and many more adorable canvases can be found at http://www.pattandleedesigns.com/. Go for it!



Before signing off today, I wanted to let you know that the second half of the Golden Reminiscence program I was leading finished up last night at my local ANG Chapter. It was a fabulous class with everyone making a lot of progress. We tried something new and used a "breakout" room for the class and it made all the difference. No distractions, excellent camaraderie and much progress in a very relaxed setting. I know this was a good experience for me and I am anxiously awaiting to see the final versions. There were about 15 there last night and one had already completed it and it was beautiful! Congratulations Vicki S., how about a picture? Everyone did their own thing as far as colorway and jewel embellishment. Fun.


Thanks again for visiting, see you soon.

Shanghai in Pink and Orange!

Decided to continue using Father B's Oriental stitches. This time I used the Shanghai Stitch for the kitty kimono on the right. The body of the kimono is stitched in Amy's Burmilana, 2 strands; an overdyed silk, 4 strands, to outline the flowers; for the kimono edges I wanted something fairly shiny so I used J.L Walsh Silk and Wool; the cumber bun was padded and stitched in Frosty Rays .

I also used Kreinik #16 in Pink and Orangy Gold to fill in between the flower petals. Didn't plan on doing any more basketweave or tent but filling in a small outlined design doesn't leave too many options.

Started stitching on the background, using 1 strand of yellow Burmilana with Father B's background stitch should make this go fairly quickly. I have a little clean up to do, missed a stitch here and there (nothing like the camera to show that) but I wanted to get a picture posted. This canvas continues to be a lot of fun to stitch and, therefore, is keeping me from working on my other projects. Thanks so much for visiting today, hope you're stitching something you love!

As promised

I'm including a photo of my progress on my gossiping geisha. I never know if I should put an "s" on the end of geisha to indicate more than one. Sidebar: Think it's a carry over from my days living in the South where most, if not all would typically omit the "s" as in your change is 35 cent! Drove me crazy. Put the "s" on there already.
Anyway I've decided to use various Oriental Diaper Patterns for the kitties kimonos. I felt it was a lost opportunity not to utilize these wonderful stitches on my previous two Asian pieces and hope to make up for it here. Beginning with The Ming Stitch taken from "Father B's Book of Stitches," first I outlined with DMC Perle Coton and then filled with 4 strands of overdyed floss. Deciding against basketweave and instead using continental or tent stitch to fill in each individual "medallion." It seems to work better that way allowing more pattern control of the overydye. Dr. Bob recommends the fill be either one color and texture or if more than one color is desired, to use 4 different colors to fill in a contrasting outline. I chose the overdye with a contrasting outline.

In a previous post I mentioned that the canvas was painted on interlock instead of mono. I was warned that interlock can be a little rough on threads. So far the overdye is working beautifully, but the Perle Coton needs to be a shorter length as it seems to easily fray. So shorter strands is the key here. In addition, I did think the interlock was more difficult to put on stretchers as it has no give whatsoever. I am using Evertite's so once the canvas was attached it was easy enough to tighten to satisfactory taughtness. Other than that I haven't come across any other issues using the interlock, but will keep you posted. Thanks for stopping by today.