I went back home on Sunday only to return to town on Monday night thanks to a predicted 12 additional inches of snow in the forecast and waaaaay below normal temperatures looming. I realized I would be stuck for several days if I didn't leave. Anyway this time I brought some stitching with me. I grabbed a bargello project that's been in the hopper for several months (years more likely) and have been stitching as if I were on vacation or something. Stopping only to come up for air and food.
I admired, okay coveted, this booklet of incredible bargello designs created by Jean Hilton, for a long while and found it (miraculously) for sale at one of my needlework chapter's tag sales. Score! I had seen the cover piece, "Down the Garden Path", finished once and had my sights set on doing it. Long ago I pulled threads for it only to later raid the "kit" a number of times leaving me short on what I needed. Most everything in the booklet is stitched in perle coton #3 and round metallics on 18 count canvas (lots of color choices on 18 ct).
While there are a number of wonderful books around on the topic of bargello, written by artists far more knowledgeable than I, for me it's pretty much establishing a pattern of long and short stitches, repeating it in graduating shades of color and voila an incredible piece of stitched art emerges. The real talent lies in those professionals that design patterns and experiment with color variations; I just follow their lead.

As it turns out it is a good thing I have this positive feeling about ripping out because in my substitution of threads I crossed the line. Thinking it was the color that only counted in bargello I totally ignored that the texture of the threads counts every bit as much. In the full photo (notice the light blue and light peach next to it) of my unfinished piece you can see that instead of using perle coton (because I didn't have that color on hand) I chose to use a stranded silk. Huh? Well the colors were right but now that I see this nearing completion, frankly those silks stand out like sore thumbs. Perle coton has a delightful sheen and it's twist reflects texture adding to the overall beauty of the design. It's actually perfect for bargello, no laying of threads although you do have to make sure you keep dropping your threaded needle to prevent any extra twisting. So soon I'll be off to my LNS for the appropriate colors of perle. Clearly I should have actually read all of those aforementioned books on bargello instead of just looking at the pictures!
I think I would like to have this piece finished into a portfolio of sorts to carry larger pieces of my needlework projects. The finished design size is approximately 9.5"x10.5". As always, thank you for taking the time to visit today, I wish you hours of joy-filled stitching and am looking forward to next time!
Bargello is one of those techniques I've wanted to have a go at, but never quite got around to ...
ReplyDeleteIt's on the list, but I shall take advantage of your experience and do my research first!
Methinks this is going to be loverly....nice choices! Glad you are back!
ReplyDelete